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7,6 of 10 star; Countries - France; director - Quentin Dupieux; genres - Comedy; rating - 2798 Votes;

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Le daim musique. Le daim quentin dupieux. Le daim movie. 2019 Cannes Film Festival Official poster of the 72nd Cannes Film Festival featuring Agnès Varda, while filming her debut film La Pointe Courte (1955) [1] Opening film The Dead Don't Die Closing film The Specials Location Cannes, France Founded 1946 Awards Palme d'Or ( Parasite) Hosted by Édouard Baer [2] No. of films 21 (In Competition) 18 (Un Certain Regard) 11 (Short films) Festival date 14–25 May 2019 Website festival-cannes /en The 72nd annual Cannes Film Festival took place from 14 to 25 May 2019. [3] Mexican filmmaker Alejandro González Iñárritu served as jury president. [4] [5] The Palme d'Or went to the South Korean film Parasite, directed by Bong Joon-ho; Bong became the first Korean director to win the award. [6] American film director Jim Jarmusch 's ensemble zombie comedy film The Dead Don't Die served as the opening film of the festival. [7] The festival honoured French filmmaker Agnès Varda, who died in March 2019, featuring her on the official poster of the festival. [8] The photograph used was taken during the filming of her debut film La Pointe Courte (1955), which later screened at the Cannes Film Festival. [1] Juries [ edit] Claire Denis, Cinéfondation and short films jury president Main competition [ edit] Alejandro González Iñárritu, Mexican director, Jury President [4] Enki Bilal, French author, artist and director [9] Robin Campillo, French director [9] Maimouna N'Diaye, Senegalese actress [9] Elle Fanning, American actress [9] Yorgos Lanthimos, Greek director [9] Paweł Pawlikowski, Polish director [9] Kelly Reichardt, American director [9] Alice Rohrwacher, Italian director [9] Un Certain Regard [ edit] Nadine Labaki, Lebanese director, Jury President [10] [11] Marina Foïs, French actress [11] Nurhan Sekerci-Porst, German film producer [11] Lisandro Alonso, Argentine director [11] Lukas Dhont, Belgian director [11] Caméra d'or [ edit] Rithy Panh, Cambodian-French director, Jury President [12] Alice Diop, French director Sandrine Marques, French director, author and film critic Benoît Delhomme, French cinematographer Nicolas Naegelen, French president director of Polyson Cinéfondation and short films [ edit] Claire Denis, French director, Jury President [13] [14] Stacy Martin, French-UK actress [14] Eran Kolirin, Israeli director [14] Panos H. Koutras, Greek director [14] Cătălin Mitulescu, Romanian director [14] Independent juries [ edit] International Critics' Week Ciro Guerra, Colombian director, Jury President [15] [16] Amira Casar, French-English actress Marianne Slot, French-Danish film producer Djia Mambu, Belgian-Congolese film journalist and critic Jonas Carpignano, Italian-American director L'Œil d'or Yolande Zauberman, French director, Jury President [17] Romane Bohringer, French actress and director Éric Caravaca, French actor and director Iván Giroud, Cuban film festival director Ross McElwee, American director Queer Palm Virginie Ledoyen, French actress, Jury President [18] Claire Duguet, French cinematographer and director Kee-Yoon Kim, French comedian Filipe Matzembacher, Brazilian director Marcio Reolon, Brazilian director Official selection [ edit] In competition [ edit] The following films were selected to compete for the Palme d'Or: [19] [20] English title Original title Director(s) Production country Atlantics (CdO) Atlantique Mati Diop Senegal, France, Belgium Bacurau (QP) Kleber Mendonça Filho, Juliano Dornelles Brazil The Dead Don't Die (opening film) [7] Jim Jarmusch United States Frankie (QP) Ira Sachs United States, France, Portugal, Belgium A Hidden Life Terrence Malick United States, Germany It Must Be Heaven Elia Suleiman France, Canada Little Joe Jessica Hausner Austria, Germany, United Kingdom Matthias & Maxime (QP) Matthias et Maxime Xavier Dolan Canada Les Misérables (CdO) Ladj Ly France Mektoub, My Love: Intermezzo Abdellatif Kechiche Oh Mercy! (QP) Roubaix, une lumière Arnaud Desplechin Once Upon a Time in Hollywood Quentin Tarantino Pain and Glory (QP) Dolor y gloria Pedro Almodóvar Spain Parasite 기생충 Bong Joon-ho South Korea Portrait of a Lady on Fire (QP) Portrait de la jeune fille en feu Céline Sciamma Sibyl Justine Triet Sorry We Missed You Ken Loach United Kingdom The Traitor Il traditore Marco Bellocchio Italy The Whistlers La Gomera Corneliu Porumboiu Romania, France, Germany The Wild Goose Lake 南方车站的聚会 Diao Yinan China Young Ahmed Le Jeune Ahmed Jean-Pierre Dardenne, Luc Dardenne Belgium (CdO) indicates film eligible for the Caméra d'Or as a feature directorial debut. (QP) indicates film in competition for the Queer Palm. The following films were selected to compete in the Un Certain Regard section: [19] Adam (QP) Maryam Touzani Morocco Beanpole (QP) Дылда Kantemir Balagov Russia The Bears' Famous Invasion of Sicily La famosa invasione degli orsi in Sicilia Lorenzo Mattotti France, Italy A Brother's Love (CdO) La Femme de mon frère Monia Chokri Bull (CdO) Annie Silverstein The Climb (CdO) Michael Covino Fire Will Come O que arde Oliver Laxe Spain, France, Luxembourg Liberté (QP) Liberté Albert Serra Homeward (CdO) Evge Nariman Aliev Ukraine The Invisible Life of Eurídice Gusmão A vida invisível de Eurídice Gusmão Karim Aïnouz Joan of Arc Jeanne Bruno Dumont Nina Wu 灼人秘密 Midi Z Taiwan On a Magical Night Chambre 212 Christophe Honoré Once in Trubchevsk Однажды в Трубчевске Larissa Sadilova Papicha Mounia Meddour Port Authority (CdO) (QP) Danielle Lessovitz Summer of Changsha (CdO) 六欲天 Zu Feng The Swallows of Kabul Les Hirondelles de Kaboul Zabou Breitman, Eléa Gobé Mévellec Out of competition [ edit] The following films were selected to be screened out of competition: [19] La Belle Époque Nicolas Bedos Rocketman [21] (QP) Dexter Fletcher Diego Maradona (ŒdO) Asif Kapadia The Best Years of a Life Les plus belles années d'une vie Claude Lelouch Too Old to Die Young Nicolas Winding Refn The Specials (closing film) Hors normes Olivier Nakache, Éric Toledano Midnight screenings The Gangster, The Cop, The Devil 악인전 Lee Won-tae Lux Æterna Gaspar Noé (ŒdO) indicates film eligible for the Œil d'or for documentary. Special screenings [ edit] The following films were selected be shown in the special screenings section: [19] 5B (ŒdO) Dan Krauss Chicuarotes Gael García Bernal Mexico The Cordillera of Dreams La Cordillera de los sueños (ŒdO) Patricio Guzmán France, Chile Family Romance, LLC Werner Herzog Germany For Sama (ŒdO) Waad Al Kateab, Edward Watts Ice on Fire (ŒdO) Leila Conners Que sea ley (ŒdO) Juan Solanas Argentina Share (CdO) Pippa Bianco Living and Knowing You Are Alive Être vivant et le savoir Alain Cavalier Tommaso Abel Ferrara (ŒdO) indicates film eligible for the Œil d'or for documentary feature. Short films [ edit] Out of 4, 240 entries, the following films were selected to compete for the Short Film Palme d'Or. [22] The Van Erenik Beqiri Albania, France Anna Dekel Berenson Ukraine, Israel, United Kingdom The Jump (ŒdO) Vanessa Dumont and Nicolas Davenel The Distance Between Us and the Sky (QP) Vasilis Kekatos Greece, France All Inclusive Teemu Nikki Finland Who Talks Ingen lyssnar Elin Övergaard Sweden And Then the Bear Agnès Patron Butterflies Parparim Yona Rozenkier Israel Monster God Monstruo Dios Agustina San Martín White Echo Chloë Sevigny The Nap La Siesta Federico Luis Tachella Cinéfondation [ edit] The Cinéfondation section focuses on films made by students at film schools. The following 17 entries (14 live-action and 3 animated films) were selected out of 2, 000 submissions. Six of the films selected represent schools participating in Cinéfondation for the first time. [22] School Ambience Wisam Al Jafari Dar al-Kalima University College of Arts and Culture, Palestine Mano a mano Louise Courvoisier CinéFabrique, France One Hundred and Twenty-Eight Thousand Sto dvacet osm tisíc Ondřej Erban FAMU, Czech Republic Jeremiah (QP) Kenya Gillespie University of Texas at Austin, United States Pura vida Martin Gonda FTF VŠMU – Film and Television Faculty, Academy of Performing Arts, Slovakia Adam Shoki Lin NTU, Singapore Rift Netek Yarden Lipshitz Louz Sapir College, Israel Solar Plexus David McShane NFTS, United Kingdom Rosso: A True Lie About a Fisherman Rosso: La Vera storia falsa del pescatore Clemente Antonio Messana La Fémis, France As Up to Now Ahogy eddig Katalin Moldovai Budapest Metropolitan University (METU), Hungary Favourites Favoriten Martin Monk Filmakademie Wien, Austria Roadkill Leszek Mozga UAL, United Kingdom The Little Soul Duszyczka Barbara Rupik PWSFTviT, Poland Hiêu Richard Van CalArts, United States Bamboe Flo Van Deuren RITCS, Belgium Complex Subject (QP) Slozhnopodchinennoe Olesya Yakovleva St Petersburg State University of Film and Television, Russia Alien 령희 Reonghee Yeon Jegwang Korea National University of Arts, South Korea Cannes Classics [ edit] The full line-up for the Cannes Classics section was announced on 26 April 2019. [23] Restorations [ edit] 125, rue Montmartre (1959) Gilles Grangier Diary of a Nurse (1957) 护士日记 Tao Jin The Doors (1991) Oliver Stone Easy Rider (1969) Dennis Hopper The Golden Age (1930) L'Âge d'or Luis Buñuel The Horse Thief (1986) 盗马贼 Tian Zhuangzhuang La Cité de la peur (1994) Alain Berbérian Loves of a Blonde (1965) Lásky jedné plavovlásky Miloš Forman Czech Republic Miracle in Milan (1951) Miracolo a Milano Vittorio De Sica Moulin Rouge (1952) John Huston Nazarín (1958) Plogoff, des pierres contre des fusils (1980) Nicole Le Garrec Seven Beauties (1975) Pasqualino Settebellezze Lina Wertmüller The Shining (1980) Stanley Kubrick United States, United Kingdom They Loved Life (1957) Kanał Andrzej Wajda Poland Toni (1934) Jean Renoir Twenty Years of African Cinema (1983) Caméra d’Afrique Férid Boughedir Tunisia, France The White Caravan (1964) თეთრი ქარავანი / Белый караван Tamaz Meliava, Eldar Shengelaya Georgia The White Snake Enchantress (1958) 白蛇伝 Hakujaden Taiji Yabushita Japan The Witness (1969) A tanú Péter Bacsó Hungary The Woman Who Dared (1943) Le Ciel est à vous Jean Grémillon The Young and the Damned (1950) Los Olvidados Documentaries [ edit] Cinecittà - I mestieri del cinema Bernardo Bertolucci Mario Sesti Forman vs. Forman Helena Třeštíková, Jakub Hejna Czech Republic, France La Passione di Anna Magnani Enrico Cerasuolo Italy, France Les Silences de Johnny Pierre-William Glenn Making Waves: The Art of Cinematic Sound Midge Costin Cinéma de la Plage [ edit] The Cinéma de la Plage is a part of the Official Selection of the festival. The outdoors screenings at the beach cinema of Cannes are open to the public. [24] Country The 400 Blows (1959) Les 400 Coups François Truffaut Any Number Can Win (1962) Mélodie en sous-sol Henri Verneuil Hauts les filles (2019) François Armanet Crouching Tiger, Hidden Dragon (2000) 臥虎藏龍 Ang Lee Taiwan, Hong Kong, United States, China Boyz n the Hood (1991) John Singleton The Patriots (1994) Les Patriotes Éric Rochant Parallel sections [ edit] International Critics' Week [ edit] The following films were selected to be screened in the International Critics' Week section: [25] Features [ edit] Abou Leila Amin Sidi-Boumédiène Algeria, France, Qatar A White, White Day Hvítur, Hvítur Dagur Hlynur Pálmason Iceland, Denmark, Sweden I Lost My Body J'ai perdu mon corps Jérémy Clapin Land of Ashes Ceniza Negra Sofía Quirós Ubeda Costa Rica, Argentina, Chile, France Our Mothers Nuestras Madres César Díaz Guatemala, Belgium, France The Unknown Saint Le Miracle du Saint Inconnu Alaa Eddine Aljem Morocco, France, Qatar Vivarium Lorcan Finnegan Ireland, Belgium, Denmark Community Gardens Kolektyvinai Sodai Vytautas Katkus Lithuania Ikki illa meint Andrias Høgenni Denmark, Faroe Islands Journey Through a Body (QP) Camille Degeye The Last Trip to the Seaside Ultimul drum spre mare Adi Voicu Romania Lucía en el limbo Valentina Maurel Belgium, France, Costa Rica The Manila Lover (QP) Johanna Pyykkö Norway, Philippines Party Day Día de Festa Sofia Bost Portugal She Runs (QP) Qiu Yang China, France The Trap Fakh Nada Riyadh Egypt, Germany Tuesday From 8 to 6 Mardi de 8 à 18 Cecilia de Arce Features Dwelling in the Fuchun Mountains (closing film) 春江水暖 Gu Xiaogang Heroes Don't Die Les héros ne meurent jamais Aude Léa Rapin France, Belgium, Bosnia and Herzegovina Litigante (opening film) Franco Lolli Colombia, France You Deserve a Love (QP) Tu mérites un amour Hafsia Herzi Short films (1) Demonic Pia Borg Australia Naptha Moin Hussain Please Speak Continuously and Describe Your Experiences as They Come to You Brandon Cronenberg Short films (2) Invisible Hero Invisível Herói Cristèle Alves Meira Portugal, France Tenzo Katsuya Tomita Invitation [ edit] Films from Morelia International Film Festival: Satán Carlos Tapia González Switzerland San Miguel Cris Gris The Girl with Two Heads La chica con dos cabezas Betzabé García The Thin Air El aire Delgado Pablo Giles Directors' Fortnight [ edit] The following films were selected to be screened in the Directors' Fortnight section: [26] [27] Alice and the Mayor Alice et le Maire Nicolas Pariser An Easy Girl Une fille facile Rebecca Zlotowski And Then We Danced (QP) Levan Akin Sweden, Georgia The Bare Necessity (CdO) Perdrix Erwan Le Duc Blow It to Bits On va tout péter Lech Kowalski Deerskin (opening film) Le Daim Quentin Dupieux Dogs Don't Wear Pants Koirat eivät käytä housuja J-P Valkeapää Finland, Latvia First Love Hatsukoi Takashi Miike Japan, United Kingdom For the Money Por el dinero Alejo Moguillansky Ghost Tropic Bas Devos Give Me Liberty Kirill Mikhanovsky The Halt Ang Hupa Lav Diaz Philippines, China The Lighthouse Robert Eggers Canada, United States Particles (CdO) Les Particules Blaise Harrison Switzerland, France Lillian Andreas Horvath Austria Oleg Juris Kursietis Latvia, Belgium, Lithuania, France The Orphanage Parwareshgah Shahrbanoo Sadat Denmark, Afghanistan, France Sick, Sick, Sick (CdO) Sem seu sangue Alice Furtado Brazil, Netherlands, France Song Without a Name (CdO) Canción sin nombre Melina León Peru, Switzerland Tlamess (QP) Ala Eddine Slim To Live to Sing 活着唱着 Johnny Ma Wounds Babak Anvari Yves (closing film) Benoît Forgeard Zombi Child (QP) Bertrand Bonello Red 11 Robert Rodriguez The Staggering Girl Luca Guadagnino Short and medium-length films [ edit] Ghost Pleasure Plaisir fantôme Morgan Simon Grand Bouquet (QP) Nao Yoshigai Je te tiens Sergio Caballero The Marvelous Misadventures of the Stone Lady Les Extraordinaires Mésaventures de la jeune fille de pierre Gabriel Abrantes France, Portugal Movements Jeong Da-hee Olla (2019 film) Ariane Labed France, United Kingdom Piece of Meat Jerrold Chong and Huang Junxiang Singapore Stay Awake, Be Ready Hãy Tỉnh Thức và Sẵn Sàng An Pham Thien Vietnam, South Korea, United States That Which Is to Come Is Just a Promise Flatform Italy, Netherlands, New Zealand Two Sisters Who Are Not Sisters Deux sœurs qui ne sont pas sœurs Beatrice Gibson United Kingdom, Germany, Canada, France Exhibition [ edit] Go Where You Look! ( Aloft, Chalkroom and To the Moon) Laurie Anderson, Hsin-Chien Huang ACID [ edit] The following films were selected to be screened in the ACID (Association for the Distribution of Independent Cinema) section: [28] [29] Feature films [ edit] As Happy As Possible Rêve de jeunesse Alain Raoust Blind Spot L'Angle mort Pierre Trividic, Patrick-Mario Bernard Des Hommes (ŒdO) Alice Odiot, Jean-Robert Viallet Indianara (ŒdO) (QP) Aude Chevalier-Beaumel, Marcelo Barbosa Kongo (ŒdO) Hadrien La Vapeur, Corto Vaclav Mickey and the Bear Annabelle Attanasio Solo (ŒdO) Artemio Benki France, Czech Republic, Argentina, Austria Take Me Somewhere Nice Ena Sendijarević Netherlands, Bosnia and Herzegovina Vif-argent Stéphane Batut (ŒdO) indicates film eligible for the Œil d'or as documentary. ACID Trip #3 - Argentina [ edit] Brief Story from the Green Planet Breve historia del planeta verde Santiago Loza Argentina, Brazil, Germany, Spain Las Vegas Juan Villegas Sangre blanca Barbara Sarasola-Day Awards [ edit] Official awards [ edit] In Competition [ edit] The following awards were presented for films shown In Competition: [30] Palme d'Or: Parasite by Bong Joon-ho Grand Prix: Atlantics by Mati Diop Jury Prize: Bacurau by Kleber Mendonça Filho and Juliano Dornelles Les Misérables by Ladj Ly Best Director: Jean-Pierre and Luc Dardenne for Young Ahmed Best Actress: Emily Beecham for Little Joe Best Actor: Antonio Banderas for Pain and Glory Best Screenplay: Céline Sciamma for Portrait of a Lady on Fire Special Mention: Elia Suleiman for It Must Be Heaven Un Certain Regard Award: The Invisible Life of Eurídice Gusmão by Karim Aïnouz [31] Un Certain Regard Jury Prize: Fire Will Come by Oliver Laxe Un Certain Regard Award for Best Director: Kantemir Balagov for Beanpole Un Certain Regard Jury Award for Best Performance: Chiara Mastroianni for On a Magical Night Un Certain Regard Special Jury Prize: Albert Serra for Liberté Bruno Dumont for Joan of Arc Coup de Cœur Award: A Brother's Love by Monia Chokri The Climb by Michael Angelo Covino Golden Camera [ edit] Caméra d'Or: Our Mothers by César Díaz Short Films [ edit] Short Film Palme d'Or: The Distance Between Us and the Sky by Vasilis Kekatos Special Mention: Monster God by Agustina San Martín First Prize: Mano a mano by Louise Courvoisier [32] Second Prize: Hiêu by Richard Van Third Prize: Ambience by Wisam Al Jafari The Little Soul by Barbara Rupik Honorary Palme d'Or [ edit] Honorary Palme d'Or: Alain Delon [33] [34] [35] Independent awards [ edit] FIPRESCI Prizes [ edit] In Competition: It Must Be Heaven by Elia Suleiman [36] Un Certain Regard: Beanpole by Kantemir Balagov Parallel section: The Lighthouse by Robert Eggers (Directors' Fortnight) Ecumenical Prize [ edit] Prize of the Ecumenical Jury: A Hidden Life by Terrence Malick [37] Nespresso Grand Prize: I Lost My Body by Jérémy Clapin [38] Leitz Cine Discovery Prize for Short Film: She Runs by Qiu Yang Louis Roederer Foundation Rising Star Award: Ingvar Eggert Sigurðsson for A White, White Day Gan Foundation Award for Distribution: Vivarium by Lorcan Finnegan SACD Award: Our Mothers by César Díaz Canal+ Award for Short Film: Ikki Illa Meint by Andrias Høgenni Europa Cinemas Label Award for Best European Film: Alice and the Mayor by Nicolas Pariser [39] SACD Award for Best French-language Film: An Easy Girl by Rebecca Zlotowski [40] Illy Short Film Award: Stay Awake, Be Ready by Pham Thien An Carrosse d'Or: John Carpenter [41] L'Œil d'or [ edit] L'Œil d'or: For Sama by Waad Al-Kateab and Edward Watts [42] The Cordillera of Dreams by Patricio Guzmán Queer Palm [ edit] Queer Palm Award: Portrait of a Lady on Fire by Céline Sciamma [43] Short Film Queer Palm: The Distance Between Us and the Sky by Vasilis Kekatos Prix François Chalais [ edit] François Chalais Prize: A Hidden Life by Terrence Malick [44] Cannes Soundtrack Award [ edit] Cannes Soundtrack Award: Alberto Iglesias for Pain and Glory [45] Vulcan Award of the Technical Artist [ edit] Vulcan Award: Flora Volpelière (editing) and Julien Poupard (cinematography) for Les Misérables [46] Special Mention: Claire Mathon for Atlantics and Portrait of a Lady on Fire (cinematography) Artistic Direction Mention: Lee Ha-jun for Parasite Palm Dog [ edit] Palm Dog Award: Brandy for Once Upon a Time in Hollywood [47] Grand Jury Prize: Canine cast in Little Joe Canine cast in Aasha and the Street Dogs ( Marché du Film) Palm DogManitarian Award: Google for their support of dogs in the workplace Underdog Award: The Unadoptable Trophée Chopard [ edit] Chopard Trophy: François Civil and Florence Pugh [48] Pierre Angénieux ExcelLens in Cinematography [ edit] Pierre Angénieux Excellens in Cinematography: Bruno Delbonnel [49] Special Encouragement Award for promising cinematographer: Modhura Palit [50] References [ edit] ^ a b "Cannes: Festival Pays Tribute To The Late Agnès Varda With New Poster". Retrieved 16 April 2019. ^ "Edouard Baer réitère son rôle de maître de cérémonie au festival de Cannes 2019". Toutelaculture. 11 April 2019. Retrieved 19 April 2019. ^ Richford, Rhonda (9 July 2018). "Cannes Film Festival Unveils 2019 Dates". The Hollywood Reporter. Archived from the original on 9 July 2018. Retrieved 9 July 2018. ^ a b "Alejandro González Iñárritu Jury President of the Festival de Cannes 2019". 27 February 2019. Retrieved 27 February 2019. ^ Goodfellow, Melanie. "Cannes 2019: who's in the running? ". Screen. Retrieved 14 March 2019. ^ "Bong Joon-ho's Parasite wins Palme d'Or at Cannes film festival". The Guardian. Retrieved 26 May 2019. ^ a b "Jim Jarmusch's Zombie Movie 'The Dead Don't Die' to Open Cannes". Variety. Retrieved 10 April 2019. ^ "Cannes Film Festival unveils its official 2019 poster". Film Industry Network. 15 April 2019. ^ a b c d e f g h "Le Jury du 72e Festival de Cannes (The Jury of the 72nd Festival de Cannes)". 29 April 2019. Retrieved 29 April 2019. ^ "Cannes: 'Capernaum's Nadine Labaki Named President Of Un Certain Regard Jury". Deadline. Retrieved 26 March 2019. ^ a b c d e "Un Certain Regard Jury 2019". Festival de Cannes 2019. 30 April 2019. Retrieved 30 April 2019. ^ "Rithy Panh, President of the Caméra d'or Jury". 7 May 2019. Retrieved 8 May 2019. ^ "Claire Denis to Preside Over Cannes Short Films & Cinefondation Jury". Retrieved 9 April 2019. ^ a b c d e "Cinéfondation and Short Films Jury 2019". 3 May 2019. Retrieved 3 May 2019. ^ "Cannes: Cirro Guerra To Lead Critics' Week Jury; John Waters To Be Feted At Locarno — Global Briefs". Retrieved 9 April 2019. ^ "Jurys | La Semaine de la Critique of Festival de Cannes". Semaine de la Critique du Festival de Cannes. Retrieved 19 April 2019. ^ "The 2019 Jury".. Retrieved 19 April 2019. ^ "Virginie Ledoyen présidera la 10e Queer palm, prix LGBT à Cannes". Le Figaro. 17 April 2019. Retrieved 19 April 2019. ^ a b c d "Cannes festival 2019: full list of films". Retrieved 18 April 2019. ^ "Quentin Tarantino, Abdellatif Kechiche and Gaspar Noé join Cannes line-up". ScreenDaily. Retrieved 2 May 2019. ^ "Elton John Biopic 'Rocketman' Poised for Cannes Bow". Retrieved 9 April 2019. ^ a b "The Short Films Selections at the 72nd Festival de Cannes". Cinefondation. Retrieved 19 April 2019. ^ "Cannes Classics 2019". Festival de Cannes. 26 April 2019. Retrieved 26 April 2019. ^ "Cinéma de la Plage, the Festival de Cannes under the stars". 13 May 2019. Retrieved 14 May 2019. ^ "Discover the selection of the 58th La Semaine de la Critique | La Semaine de la Critique of Festival de Cannes". Retrieved 23 April 2019. ^ Keslassy, Elsa (4 April 2019). "Cannes: 'Deerskin' With Jean Dujardin to Open Directors' Fortnight". Retrieved 19 April 2019. ^ Goodfellow, Melanie. "Cannes Directors' Fortnight unveils genre-heavy 2019 selection". Retrieved 23 April 2019. ^ "Cannes ACID 2019 line-up revealed". Retrieved 23 April 2019. ^ "L'ACID - The ACID programme in Cannes". Le site de l'ACID - Association du Cinéma Indépendant pour sa Diffusion. Retrieved 23 April 2019. ^ "Bong Joon-ho's Parasite Wins the Palme d'Or at Cannes". Retrieved 26 May 2019. ^ Lodge, Guy (24 May 2019). "Brazil's 'Invisible Life of Eurídice Gusmão' Wins Cannes Un Certain Regard Award". Retrieved 24 May 2019. ^ "Claire Denis and the Jury have announced the winners of the 22nd Cinéfondation Selection". Cannes Film Festival. 23 May 2019. Retrieved 23 May 2019. ^ Wiseman, Andreas (17 April 2019). "Cannes: Festival To Fete French Cinema Icon Alain Delon With Honorary Palme d'Or". Retrieved 19 April 2019. ^ Keslassy, Elsa; Keslassy, Elsa (13 May 2019). "Cannes Film Festival Director: 'We're Not Giving Alain Delon the Nobel Peace Prize ' ". Retrieved 14 May 2019. ^ "Delon, set for Cannes honor, says he is 'irreproachable' as an actor". 19 May 2019. Retrieved 19 May 2019 – via. ^ "Cannes: 'It Must Be Heaven' Takes FIPRESCI Critics' Prize". Retrieved 25 May 2019. ^ Oubrayrie, Edward. "Le Prix du Jury œcuménique 2019 décerné à 'A Hidden Life ' ". Jury oecumenique au Festival de Cannes. Retrieved 25 May 2019. ^ "French Animation 'I Lost My Body' Tops Cannes Critics' Week Winners". 22 May 2019. Retrieved 22 May 2019. ^ Hopewell, John (23 May 2019). " ' Alice and the Mayor' Wins Cannes Directors' Fortnight Biggest Prize". Retrieved 23 May 2019. ^ Hopewell, John (23 May 2019). " ' An Easy Girl' Wins Cannes Directors' Fortnight French-Language Movie Prize". Retrieved 23 May 2019. ^ Goodfellow, Melanie. "John Carpenter to receive Cannes Directors' Fortnight's Carrosse d'Or award". Retrieved 19 April 2019. ^ "Cannes' Golden Eye award goes to The Cordillera of Dreams and to For Sama". Cineuropa - the best of european cinema. Retrieved 25 May 2019. ^ "Cannes: 'Portrait of a Lady on Fire' Takes Queer Palm Prize". Retrieved 25 May 2019. ^ David, Kessler (24 May 2019). "Prix François Chalais 2019 au film de Terrence Malick #AHiddenLife @Festival_Cannes". @mdavkes (in French). Retrieved 24 May 2019. ^ "Cannes 2019: Douleur et gloire récompensé pour sa musique par le prix Cannes Soundtrack". AlloCiné. Retrieved 25 May 2019. ^ "Cannes 2019: "Les Misérables" distingué par le prix CST de l'Artiste-Technicien 2019". Ecran-Total (in French). 25 May 2019. Retrieved 25 May 2019. ^ Utichi, Joe (24 May 2019). "Quentin Tarantino Accepts Palm Dog Award For Best Cannes Canine Performance In 'Once Upon A Time In Hollywood ' ". Retrieved 24 May 2019. ^ "2019 Cannes Film Festival: Chopard Names Trophy Award Winners". WWD. 20 May 2019. Retrieved 22 May 2019. ^ "Angenieux rinde homenaje a Bruno Delbonnel en Cannes". Cameraandlightmag. Retrieved 26 April 2019. ^ Team, Angénieux. "Young Indian cinematographer Modhura Palit to receive the 2nd Angenieux "special encouragement" award at the Cannes Film Festival".. Retrieved 29 May 2019. External links [ edit] Official website.

Lee dempsey state farm agent. 🔥SPECIAL SCREENING – Comedy Night! 🔥 🎦SUMMARY: ☞ FILM: Le Daim (Deerskin) directed by Quentin Dupieux (1h17min) ☞ DATE & TIME: Friday 19th July – 🍷Drinks and snacks available from 7PM at the cinema bar; 🎙8PM Stand-up Comedy Show; 🍿Screening starts at 8:30PM ☞ CINEMA: Club de L’Étoile, 14 Rue Troyon, 75017 Paris ☞ TICKETS: €15 full price; €13 for students and all other concessions. 🎟 ONLINE HERE: or both cards and cash accepted at the cinema. 🎦DETAILS: Lost In Frenchlation is proud to present one of this year’s Cannes Film Festival favorites. From the director of the 2018 black comedy “Au Poste” comes “Le Daim, ” the first “horror” film from Quentin Dupieux. The story follows Jean Dujardin (“The Artist” and “Little White Lies”) as he stars in this absurdist comedy about obsession. And the cherry on top: the screening will be preceded by a stand-up Comedy Show in English featuring Elspeth Graty and Krishna Bagadiya! 🎥THE MOVIE: Georges, 44 years old, and his jacket, 100% deerskin, have a plan. – Plot « Dupieux sets foot in a portion of France that is rarely seen, explores areas that competitors leave, and summons poetry in everyday life. » – Le Figaro “There are enough sparks of originality and comic invention throughout to capture those in search of something winningly offbeat and unexpected. ” – Screen Daily Watch the trailer here: •THE PLAN: The screening will take place at Club de l’Étoile cinema, located a short walk from the world-famous Arc de Triomphe! We will be offering a variety of French-inspired drinks and snacks during our cocktail hour from 7pm. Before the 8:30pm screening, we will have a STANDUP COMEDY SHOW, in English, at 8:00pm, featuring Elspeth Graty and Krishna Bagadiya! Tickets available both online and at the cinema. Don’t miss this French arthouse comedy with English subtitles! 🎬The Lost in Frenchlation Team.

Le daim. Le daim allocine. Le daim dupieux. Le daim dujardin. Recensione di Marzia Gandolfi venerdì 17 maggio 2019      Georges guida tutto il giorno per raggiungere un'anonima località di montagna e comprare un blouson di pelle. Pelle di daino 100%. Per soddisfare la sua ossessione, Georges ha dato fondo al conto e alla sua vita coniugale. Morbida, decorata di frange e rivestita in raso, la giacca lo innamora fino a possederlo e precipitarlo in un delirio criminale. Ad assecondare la sua follia c'è Denise, cameriera con la mania di smontare film celebri. Deciso a girare un film che celebri il suo blouson cognac, Georges si 'arma' di camera digitale e sbaraglia la concorrenza. Ogni altra giacca sulla faccia della terra non è che una mera imitazione e va 'eliminata'. Ad ogni costo e con ogni mezzo. Commedia dell'assurdo ancorata a un mondo razionale, Le Daim è un film folle su un folle che evade dalla città per vivere un sogno di predatore barbaro e narcisista alle pendici dei Pirenei. Seconda tappa di un ritorno in Francia, avviato lo scorso anno con Au poste!, Le Daim mette a punto le abitudini del cinema concettuale di Quentin Dupieux, che immagina questa volta un personaggio che gli somiglia e rilancia gli ingranaggi della finzione. Al centro di un progetto 'rimpatriato', il film nasce americano e con un attore americano, c'è un eroe che si mira e ammira in uno specchio o nel vetro di una vettura per convincersi della propria presenza. Presenza imprecisa e senza contorni finiti, almeno fino a quando non compra per una cifra esorbitante un blouson 100% daino. Persuaso che la sua giacca vintage gli doni un "style de malade", spregiudicato e cool insieme, e confermato dal ritornello di Joe Dassin che canta alla radio "Et Si Tu N'existais Pas", Georges getta alle ortiche la sua vita come il suo cellulare per realizzare un'idea maniacale in un paesino della Francia profonda. Nel corso del film lo spettatore assiste alla progressiva trasformazione del protagonista in bestia selvaggia. Ricoperto di daino dalla testa ai piedi, ruba un cappello, acquista un paio di stivali e riceve in regalo un paio di pantaloni e di guanti, Georges diventa un animale e apre ufficialmente la stagione della caccia. Sprofondato letteralmente nella paranoia, la mitomania e la pulsione assassina, non sopporta la concorrenza 'vestiaria' e massacra sistematicamente tutte le persone che rifiutano di consegnargli le loro giacche. Emergendo qualche cosa di singolarmente inspiegabile, una forza bruta ed esilarante insieme, Le Daim esibisce un'ossessione angosciosa per un oggetto, posseduto eppure irraggiungibile, manifestazione metaforica dell'istinto di morte che si complica in feticismo e sublimazione estetizzante. Il film procede per iterazioni sistematiche, l'adozione stilistica della ripetizione è una delle cifre del cinema di Dupieux, che definiscono il significato profondo dell'oggetto assunto ad espressione del mito. L'istanza libidica provocata dalla vista della giacca di daino è appannaggio invece di Jean Dujardin, campione (straordinario) di un'imbecillità gioiosa convertita qui in una demenza impenetrabile e bizzarra che sopprime i suoi rivali per compensare un'assenza di personalità e di talento. Ma il fantasma dell'artista fallito è solo una delle possibili letture del film che ne offre tante e probabilmente tutte pertinenti. Sempre al limite della burla che si risolve in fumo, l'opera dell'autore francese è un piacere da guardare e da analizzare. Le sue oscillazioni tra pieno e vuoto, idiozia e intelligenza, senso e nonsense, mettono in scena un piacere infantile a dispetto dell'orrore che sottendono. Per il suo cinema, Le Daim non fa eccezione, serve un certo grado di tolleranza e di humour perché il lavoro di Quentin Dupieux non assomiglia a nessun altro ma i suoi film si somigliano tutti, allacciati alle 'frange' della sua singolarità tentacolare. Personaggi dalla razionalità dubbiosa o controproduttiva, combinazione di toni e slittamenti umoristici incomprensibili sono i tratti emblematici di un cinema costruito attorno a un filo narrativo perennemente spezzato, riannodato e daccapo snodato secondo un principio di assurdità trionfante. Surrealista 'in ritardo', il regista ha i suoi sostenitori e i suoi detrattori. Tra i due estremi si accomoda un parterre di spettatori puntualmente smarriti dai e nei suoi film che sembrano usciti dalla serie B degli anni Settanta. Con la sua desaturazione cromatica e i suoi beige scoloriti, Le Daim conferma la regola e lo stile vintage, funzionale al blouson venerato che produce una potenza incontrollabile e fatale per il suo proprietario. Predatore che volge in preda dentro un finale che spiega il titolo e assiste al trionfo della protagonista di Adèle Haenel, primo personaggio nella curiosa galassia degli antieroi di Dupieux a mantenere la sua eccentricità dentro i limiti umani. Gentile e paziente è la complice (in)volontaria di un eroe troppo folle per restare umano, una 'montatrice' che conserva fino alla fine la sua dolcezza e la sua paradossale verità. A lei soccombe un prodigioso Dujardin, singolarmente cambiato, quasi inquietante, che ha preso peso (artistico) nei giardini di Quentin Dupieux, Benoît Delépine e Gustave Kervern, dove coltiva adesso l'amabile atrocità di personaggi spostati.  Sei d'accordo con Marzia Gandolfi? Scrivi a Marzia Gandolfi Il tuo commento è stato registrato. Convalida adesso il tuo inserimento. Ti abbiamo appena inviato un messaggio al tuo indirizzo di posta elettronica. Accedi alla tua posta e fai click sul link per convalidare. Chiudi Il tuo commento è stato registrato. Grazie. Chiudi.

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